The microphone records 48kHz/16-bit audio and has three 14mm condensers, which provides enough data for post-production if you want to go that route.
Although it's primarily billed as a gaming microphone, I recorded podcasts, took video calls, laid down some acoustic guitar and basic vocals using the HyperX QuadCast S, and all of that sounded stellar. This microphone has handled everything I have thrown at it and has always left me impressed. Although it's a bit more expensive than our top pick, it easily records clean audio if you're on top of your gain control. HyperX has been a key player in the USB microphone space lately, and this QuadCast S mic offers all the versatility you need. While the Blue Yeti may still take the top spot on our list because of its price, the HyperX QuadCast S, which we've reviewed, is a close runner-up. With four recording modes, plug-and-play functionality, and live monitoring, the Blue Yeti offers the most versatile experience for the best price. Lastly, stereo recording mode allows the Blue Yeti to use the left and right channels to record in stereo and give your recordings a more realistic soundstage when there is more than one sound source in front of the microphone. Just put the microphone between you and the other person speaking and never touch it again.
This mode is great for podcasting with multiple hosts and guests or for capturing the noise around you.īidirectional mode allows the Blue Yeti to be an interview microphone with minimal setup. The omnidirectional mode allows the Blue Yeti to pick up sounds from all around it, meaning you can put it in the middle of a table and have multiple people speaking, and it won't miss a single word. Its basic cardioid mode is fantastic for capturing a single voice or instrument in front of the mic, making it perfect for game streaming, video calls, or vocals. I'm not the only one that loves the Blue Yeti, Rene Ritchie has been using his for years, and he loves how easy the Blue Yeti is to use.
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